The DAW
Generated sound at the core — played, not pressed.
Mumbai · Twenty years in the making
Ones and zeros. And everything they can’t compute.
Ghazal, qawwali and bandish set against live instrumentation — DAW-generated sound at the core.
Binary — the computer, the ones and zeros, the electronic half of the sound. Notes — the melody, the raag, the human half. Neither is a garnish for the other.
On stage: a full band and a computer that is played, not pressed — no backing tracks, half the music triggered live, phrase by phrase.
You can’t tell where the machine ends and the musicians begin. That’s the point.
Where the sound comes from — and where it goes.
Generated sound at the core — played, not pressed.
Live instrumentation, set against the machine.
Ghazal, qawwali, bandish — carried in the melody.
Room-scale sensory light, drawn live with the set.
Not a party playlist. A listening set built as a single arc — the forms set against live instrumentation, generated sound at the core. Rest on a form; the room changes colour.
The slow burn — candle-light, sub-bass, a voice that waits.
The fire — claps, tabla, and a machine that dares to keep up.
The long line — gayaki carried whole into circuitry.
The composition — set, phrase by phrase, against the grid.
The great film soundtracks — just to throw in a little spice.
Mehfils, dinners, seated concerts, launches — every point of light below is a guest.
An audience invited because they’ll actually listen.
The one beautiful evening inside a wedding week.
A hall that listens — one unbroken arc.
Rooms where the room is the statement.
Where the set is honed.
Halls that choose to listen.
India and beyond. Built to travel.
60- and 90-minute seated sets — mehfils, dinners, concerts and brand evenings.
Enquire for a date