AN ELECTRONIC FUSION ENSEMBLEno backing tracks · rooms that listen
An electronic fusion ensemble Live I/O · No backing tracks

Mumbai · Twenty years in the making

Binary Notes

Ones and zeros. And everything they can’t compute.

Ghazal, qawwali and bandish set against live instrumentation — DAW-generated sound at the core.

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01 — The Idea

The name is the
whole philosophy.

Binary — the computer, the ones and zeros, the electronic half of the sound. Notes — the melody, the raag, the human half. Neither is a garnish for the other.

On stage: a full band and a computer that is played, not pressed — no backing tracks, half the music triggered live, phrase by phrase.

You can’t tell where the machine ends and the musicians begin. That’s the point.

BassElectric guitarPercussionSynthPianoVocals+ The Machine
FIG. 01 — THE GRID, LEARNING TO BEND · SQUARE WAVE → MEEND
02 — Anatomy of the Sound

Four bodies,
one signal.

Where the sound comes from — and where it goes.

AThe Core

The DAW

Generated sound at the core — played, not pressed.

BThe Hands

The Band

Live instrumentation, set against the machine.

CThe Blood

The Raag

Ghazal, qawwali, bandish — carried in the melody.

DThe Light

The Room

Room-scale sensory light, drawn live with the set.

No backing tracksPlayed, not pressedRooms that listen
Half human
( Half machine )
Entirely timeless
03 — The Repertoire

The most beautiful music this part of the world has ever made — rebuilt inside the machine.

Not a party playlist. A listening set built as a single arc — the forms set against live instrumentation, generated sound at the core. Rest on a form; the room changes colour.

01

The Ghazal

The slow burn — candle-light, sub-bass, a voice that waits.

02

The Qawwali

The fire — claps, tabla, and a machine that dares to keep up.

03

The Khayal

The long line — gayaki carried whole into circuitry.

04

The Bandish

The composition — set, phrase by phrase, against the grid.

05

The Golden Age

The great film soundtracks — just to throw in a little spice.

ONE EVENINGBUILT AS A SINGLE ARC60 / 90 MIN
04 — The Experience

Rooms where music is
the evening.

Mehfils, dinners, seated concerts, launches — every point of light below is a guest.

Private home

The mehfil

An audience invited because they’ll actually listen.

Seated · unhurried

The dinner

The one beautiful evening inside a wedding week.

Seated · ticketed

The concert

A hall that listens — one unbroken arc.

By invitation

The launch

Rooms where the room is the statement.

60 / 90minute sets, one unbroken arc
0backing tracks, ever
½the music triggered live, phrase by phrase
1machine on stage — played, not pressed
05 — The Road Ahead
Now

Mehfils & concerts

Where the set is honed.

Next

Bigger rooms

Halls that choose to listen.

Then

Festival stages

India and beyond. Built to travel.

Booking — enquiries open

For the people who
came to listen.

60- and 90-minute seated sets — mehfils, dinners, concerts and brand evenings.

Enquire for a date